We are all sputniks – we are all satellites. Among many other themes and symbols Murakami uses in his novel, “Sputnik Sweetheart,” the satellite is one of the most predominant ones used in the book and one of the clearest to decipher. Throughout the book, Murakami continues to reference back to the idea of a sputnik and often reminds us that we are all sputniks. What does that mean though?

Near the beginning of the book, a character looks up the word sputnik and finds that it means “traveling companion” in Russian. It is ironic that after this original definition, the book always references back to sputnik as a metaphor for life. Murakami compares us to satellites since we are always alone in life. We are locked inside our bodies, or our sputniks, and cannot escape our sputniks. We will orbit the planet in an orbit that we have no control over and can only await our inevitable end. Every now and then, another sputnik might cross paths with us. And yet we cannot stop to spend more time with the other sputnik. We are immediately taken away from the other sputnik and may never see it again.

Indeed, sputnik is a metaphor for life in Murakami’s book. Like the sputnik, we are stuck in our bodies and in our destiny, our fate. We will never be able to get out of our bodies to know someone else – we can only observe from afar.

The novel as a whole, as well as several specific details, expands on this theme after it is established in the beginning. First, the two main characters, are like sputniks for each other – they are travelling companions, or sputniks. In the novel, they travel from Japan to Italy and then France, ending up on a small island in the Aegean Sea. They get to know each other fairly well, but there is always some distance between the two – they are stuck in their own viewpoint, their own set of experiences. They each have their own reasons for the trip – one for business and the other for pleasure ­– and even the ways in which they are bonded together are different for each: one is sexually attracted to the other, while the opposite is not true.

One way in which the novel seems to breach the concept of the sputnik is that one of the main characters somehow goes to the “other” side, which I interpret as leaving one’s sputnik. The novel is very unclear as to what she does when this happens since she disappears from the world while she visits the “other side.” Emphasis, however, is placed on the fact that the very ordinary narrator is unable to leave his sputnik, implying that only people with very special qualities can leave their sputniks.

So my question to you guys is this: have any of you ever left your sputnik, or have you always felt bound to an existence in a separated, orbiting satellite? What do you think it takes to leave your sputnik and what does it really mean to do so?